Twelve Days of Christmas and More Christmas Songs | Nursery Rhymes



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The Twelve Days of Christmas is a classic Christmas song for children that has been around for hundreds of years. It’s both fun and educational, teaching kids about counting, the days of the week, and the months of the year. But there are plenty more great Christmas songs and nursery rhymes that can be enjoyed by kids during this festive season. From traditional carols to modern-day classics, there is something for everyone in this selection of kid-friendly holiday tunes. So why not get your little ones singing along to these festive tunes and create some lasting memories together?


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Twelve Days of Christmas and More Christmas Songs | Nursery Rhymes

Nothing brings more joy to the holiday season than singing and dancing along to classic Christmas songs and nursery rhymes! The Twelve Days of Christmas, Jingle Bells, We Wish You A Merry Christmas – these songs have been around for generations. Kids of all ages can enjoy these cheerful tunes and learn about the true meaning of Christmas. With our collection of kids videos, you can introduce your little ones to these beloved classics with ease. From fun sing-alongs to captivating visuals, our videos are sure to get your kids in the holiday spirit!


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One Little Finger – Part 1 and More Kids Songs | Nursery Rhymes



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Kids songs and nursery rhymes are an important part of any child’s development. They help children learn language, develop motor skills, and even learn about different cultures. With the help of "One Little Finger - Part 1" and other kids songs, children can have fun while learning at the same time. Not only are these videos educational but they are also entertaining for both parents and kids alike. This video will provide your child with a great introduction to music, rhythm, and rhyme while also providing them with a fun way to learn about counting and other basic concepts. So let's get started on this journey together by watching "One Little Finger - Part 1" along with other kids songs!


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One Little Finger – Part 1 and More Kids Songs | Nursery Rhymes


Welcome to One Little Finger – Part 1 and More Kids Songs! This fun and educational video is perfect for kids aged 2-6. It features popular nursery rhymes, songs, and stories that will help your little ones learn about the world around them. With vibrant visuals and catchy tunes, this video will keep your kids entertained while helping them develop their language skills. So sit back, relax, and enjoy this collection of kids songs!


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One Little Finger – Part 1 and More Kids Songs | Nursery Rhymes



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Kids songs and nursery rhymes are an important part of any child’s development. They help children learn language, develop motor skills, and even learn about different cultures. With the help of "One Little Finger - Part 1" and other kids songs, children can have fun while learning at the same time. Not only are these videos educational but they are also entertaining for both parents and kids alike. This video will provide your child with a great introduction to music, rhythm, and rhyme while also providing them with a fun way to learn about counting and other basic concepts. So let's get started on this journey together by watching "One Little Finger - Part 1" along with other kids songs!


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One Little Finger – Part 1 and More Kids Songs | Nursery Rhymes


Welcome to One Little Finger – Part 1 and More Kids Songs! This fun and educational video is perfect for kids aged 2-6. It features popular nursery rhymes, songs, and stories that will help your little ones learn about the world around them. With vibrant visuals and catchy tunes, this video will keep your kids entertained while helping them develop their language skills. So sit back, relax, and enjoy this collection of kids songs!


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Itsy Bitsy Spider | Christmas Songs | Nursery Rhymes and Baby Songs



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Itsy Bitsy Spider is a popular nursery rhyme and Christmas song that has been enjoyed by generations of kids. It is a fun, catchy tune that kids love to sing along with. The song teaches children about perseverance and the power of determination.


This classic kids song is perfect for getting your little ones in the festive spirit this Christmas. Itsy Bitsy Spider can be used to create fun and engaging videos for kids, as well as being used as part of interactive activities or games. With its upbeat tempo and cheerful lyrics, it's sure to have your little ones singing along in no time!


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Itsy Bitsy Spider | Christmas Songs | Nursery Rhymes and Baby Songs


Itsy Bitsy Spider is a classic nursery rhyme and Christmas song that is beloved by children of all ages. It is a fun and interactive way to introduce kids to music, rhythm, and language. This song has been around for generations and continues to be an important part of many families’ holiday traditions. With its catchy tune, simple lyrics, and adorable visuals, this song is sure to become a favorite for your little one. Kids will love singing along with the video for kids or listening to the audio version of this popular kids song. So put on your dancing shoes and get ready for some fun with Itsy Bitsy Spider!


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SANTA, Twinkle Twinkle Little Star and More Christmas Songs



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Christmas is a time of joy and celebration, and what better way to get into the festive spirit than by singing along to some classic Christmas songs? Kids love singing along to their favorite tunes, and there are plenty of great Christmas songs that they can enjoy. From SANTA to Twinkle Twinkle Little Star, these classic songs will have your kids singing along in no time! And with so many fun videos for kids available online, you can find the perfect song for your little ones. So get ready for some festive singing this holiday season with SANTA, Twinkle Twinkle Little Star and more of your favorite Christmas songs.


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SANTA, Twinkle Twinkle Little Star and More Christmas Songs


Christmas is a time of joy and celebration, and what better way to get kids into the festive spirit than with some classic Christmas songs? From SANTA to Twinkle Twinkle Little Star, these beloved tunes are sure to bring a smile to your children's faces. Not only do these songs provide a great way for children to learn about the holiday season, but they can also be used as an educational tool. With videos for kids on YouTube and other platforms, parents can teach their children about the stories behind each song, as well as the history of Christmas. So why not get your kids singing along this Christmas with SANTA, Twinkle Twinkle Little Star and more fun seasonal songs!


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The Frog Prince~ Famous Fairy Tales



63f20f7892634#In the olden time, when wishing was having, there lived a King whose daughters were all beautiful; but the youngest was so exceedingly beautiful that the Sun himself, although he saw her very often, was enchanted every time she came out into the sunshine.

Near the castle of this King was a large and gloomy forest, and in the midst stood an old lime-tree, beneath whose branches splashed a little fountain; so, whenever it was very hot, the King’s youngest daughter ran off into this wood, and sat down by the side of this fountain; and, when she felt dull, would often divert herself by throwing a golden ball up in the air and catching it. And this was her favourite amusement.

Now, one day it happened that this golden ball, when the King’s daughter threw it into the air, did not fall down into her hand, but on the grass; and then it rolled past her into the fountain. The King’s daughter followed the ball with her eyes, but it disappeared beneath the water, which was so deep that no one could see to the bottom. Then she began to lament, and to cry louder and louder; and, as she cried, a voice called out, “Why do you weep, O King’s daughter? your tears would melt even a stone to pity.” And she looked around to the spot whence the voice came, and saw a Frog stretching his thick ugly head out of the water. “Ah! you old water-paddler,” said she, “was it you that spoke? I am weeping for my golden ball, which has slipped away from me into the water.”

“Be quiet, and do not cry,” answered the Frog; “I can give you good advice. But what will you give me if I fetch your plaything up again?”

“What will you have, dear Frog?” said she. “My dresses, my pearls and jewels, or the golden crown which I wear?”

The Frog answered, “Dresses, or jewels, or golden crowns, are not for me; but if you will love me, and let me be your companion and playfellow, and sit at your table, and eat from your little golden plate, and drink out of your cup, and sleep in your little bed,—if you will promise me all these, then will I dive down and fetch up your golden ball.”

“Oh, I will promise you all,” said she, “if you will only get me my ball.” But she thought to herself, “What is the silly Frog chattering about? Let him remain in the water with his equals; he cannot mix in society.”

But the Frog, as soon as he had received her promise, drew his head under the water and dived down. Presently he swam up again with the ball in his mouth, and threw it on the grass. The King’s daughter was full of joy when she again saw her beautiful plaything; and, taking it up, she ran off immediately.

“Stop! stop!” cried the Frog; “take me with you. I cannot run as you can.” But all his croaking was useless; although it was loud enough, the King’s daughter did not hear it, but, hastening home, soon forgot the poor Frog, who was obliged to leap back into the fountain.

The next day, when the King’s daughter was sitting at table with her father and all his courtiers, and was eating from her own little golden plate, something was heard coming up the marble stairs, splish-splash, splish-splash; and when it arrived at the top, it knocked at the door, and a voice said, “Open the door, youngest daughter of the King!”

So she rose and went to see who it was that called her; but when she opened the door and caught sight of the Frog, she shut it again with great vehemence, and sat down at the table, looking very pale. But the King perceived that her heart was beating violently, and asked her whether it were a giant who had come to fetch her away who stood at the door.

“Oh, no!” answered she; “it is no giant, but an ugly Frog.”

“What does the Frog want with you?” said the King.

“Oh, dear father, when I was sitting yesterday playing by the fountain, my golden ball fell into the water, and this Frog fetched it up again because I cried so much: but first, I must tell you, he pressed me so much, that I promised him he should be my companion. I never thought that he could come out of the water, but somehow he has jumped out, and now he wants to come in here.”

At that moment there was another knock, and a voice said,—

“King’s daughter, youngest,
Open the door.
Have you forgotten
Your promises made
At the fountain so clear
‘Neath the lime-tree’s shade?
King’s daughter, youngest,
Open the door.”


Then the King said, “What you have promised, that you must perform; go and let him in.”

So the King’s daughter went and opened the door, and the Frog hopped in after her right up to her chair: and as soon as she was seated, the Frog said, “Take me up;” but she hesitated so long that at last the King ordered her to obey. And as soon as the Frog sat on the chair, he jumped on to the table, and said, “Now push your plate near me, that we may eat together.” And she did so, but as everyone saw, very unwillingly. The Frog seemed to relish his dinner much, but every bit that the King’s daughter ate nearly choked her, till at last the Frog said, “I have satisfied my hunger and feel very tired; will you carry me upstairs now into your chamber, and make your bed ready that we may sleep together?” At this speech the King’s daughter began to cry, for she was afraid of the cold Frog, and dared not touch him; and besides, he actually wanted to sleep in her own beautiful, clean bed.

But her tears only made the King very angry, and he said,” He who helped you in the time of your trouble, must not now be despised!” So she took the Frog up with two fingers, and put him in a corner of her chamber. But as she lay in her bed, he crept up to it, and said, “I am so very tired that I shall sleep well; do take me up or I will tell your father.” This speech put the King’s daughter in a terrible passion, and catching the Frog up, she threw him with all her strength against the wall, saying, “Now, will you be quiet, you ugly Frog?”

But as he fell he was changed from a frog into a handsome Prince with beautiful eyes, who, after a little while became, with her father’s consent, her dear companion and betrothed. Then he told her how he had been transformed by an evil witch, and that no one but herself could have had the power to take him out of the fountain; and that on the morrow they would go together into his own kingdom.

The next morning, as soon as the sun rose, a carriage drawn by eight white horses, with ostrich feathers on their heads and golden bridles, drove up to the door of the palace, and behind the carriage stood the trusty Henry, the servant of the young Prince. When his master was changed into a frog, trusty Henry had grieved so much that he had bound three iron bands round his heart, for fear it should break with grief and sorrow. But now that the carriage was ready to carry the young Prince to his own country, the faithful Henry helped in the bride and bridegroom, and placed himself in the seat behind, full of joy at his master’s release. They had not proceeded far when the Prince heard a crack as if something had broken behind the carriage; so he put his head out of the window and asked Henry what was broken, and Henry answered, “It was not the carriage, my master, but a band which I bound round my heart when it was in such grief because you were changed into a frog.”

The Prince rides in his carriage - Original illustration by Walter Crane for the kids short story The Frog Prince Twice afterwards on the journey there was the same noise, and each time the Prince thought that it was some part of the carriage that had given way; but it was only the breaking of the bands which bound the heart of the trusty Henry, who was thenceforward free and happy.


The Frog Prince fairy tale meaning


The Frog Prince, or the Iron Henry, is a classic fairy tale about the transformation of a frog, who has been cursed by a powerful spell, into a handsome prince. The story emphasises the importance of humility and appreciation for one’s true worth. It also explores themes of friendship, love, and loyalty, with the prince proving his loyalty to the princess by making her his bride despite her earlier rejection of him in his frog form. From the story, one can learn that true relationships take time and understanding, and that judging someone unfairly can lead to regret. Ultimately, the story is a celebration of love, beauty, and friendship. 63f20f7892634

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Days of the Week | Kids Songs & Nursery Rhymes for Babies



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Singing is one of the best ways to introduce kids to the days of the week. Kids Songs and Nursery Rhymes for Babies are a great way to help young children learn about the days of the week in a fun and engaging way. With catchy tunes and easy-to-remember lyrics, these songs can help kids remember which day is which while they’re having a blast singing along!


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Days of the Week | Kids Songs & Nursery Rhymes for Babies


Kids Songs and Nursery Rhymes are an essential part of every child's life. They help to shape a child's language development, as well as their understanding of the world around them. From counting songs to learning the days of the week, nursery rhymes and kids songs provide an invaluable source of fun and education for children. Through repetition and catchy tunes, kids can quickly learn the days of the week and other important information in a fun and engaging way.


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Rapunzel ~ Famous Fairy Tales



63f200b2cca6f#There was once a man and a woman who had long in vain wished for a child.

These people had a little window at the back of their house from which a splendid garden could be seen, which was full of the most beautiful flowers and herbs. It was, however, surrounded by a high wall, and no one dared to go into it because it belonged to an enchantress, who had great power and was dreaded by all the world.

One day the woman was standing by this window and looking down into the garden, when she saw a bed which was planted with the most beautiful salad rampion (also known as rapunzel), and it looked so fresh and green that she longed for it, she quite pined away, and began to look pale and miserable. Then her husband was alarmed, and asked: ‘What ails you, dear wife?’

‘Ah,’ she replied, ‘if I can’t eat some of the rampion, which is in the garden behind our house, I shall die.’

The man, who loved her, thought: ‘Sooner than let your wife die, bring her some of the rampion yourself, let it cost what it will.’

At twilight, he clambered down over the wall into the garden of the enchantress, hastily clutched a handful of rampion, and took it to his wife. She at once made herself a salad of it, and ate it greedily. It tasted so good to her—so very good, that the next day she longed for it three times as much as before. If he was to have any rest, her husband must once more descend into the garden.

In the gloom of evening therefore, he let himself down again; but when he had clambered down the wall he was terribly afraid, for he saw the enchantress standing before him.

‘How can you dare,’ said she with angry look, ‘descend into my garden and steal my rampion like a thief? You shall suffer for it!’

‘Ah,’ answered he, ‘let mercy take the place of justice, I only made up my mind to do it out of necessity. My wife saw your rampion from the window, and felt such a longing for it that she would have died if she had not got some to eat.’

Then the enchantress allowed her anger to be softened, and said to him: ‘If the case be as you say, I will allow you to take away with you as much rampion as you will, only I make one condition, you must give me the child which your wife will bring into the world; it shall be well treated, and I will care for it like a mother.’

The man in his terror consented to everything, and when the woman was brought to bed, the enchantress appeared at once, gave the child the name of Rapunzel, and took it away with her.

Rapunzel grew into the most beautiful child under the sun. When she was twelve years old, the enchantress shut her into a tower, which lay in a forest, and had neither stairs nor door, but quite at the top was a little window. When the enchantress wanted to go in, she placed herself beneath it and cried:

‘Rapunzel, Rapunzel,
Let down your hair to me.’


Rapunzel had magnificent long hair, fine as spun gold, and when she heard the voice of the enchantress she unfastened her braided tresses, wound them round one of the hooks of the window above, and then the hair fell twenty ells down, and the enchantress climbed up by it.

After a year or two, it came to pass that the king’s son rode through the forest and passed by the tower. Then he heard a song, which was so charming that he stood still and listened. This was Rapunzel, who in her solitude passed her time in letting her sweet voice resound. The king’s son wanted to climb up to her, and looked for the door of the tower, but none was to be found. He rode home, but the singing had so deeply touched his heart, that every day he went out into the forest and listened to it. Once when he was thus standing behind a tree, he saw that an enchantress came there, and he heard how she cried:

‘Rapunzel, Rapunzel,
Let down your hair to me.’


Then Rapunzel let down the braids of her hair, and the enchantress climbed up to her.

‘If that is the ladder by which one mounts, I too will try my fortune,’ said he, and the next day when it began to grow dark, he went to the tower and cried:

‘Rapunzel, Rapunzel,
Let down your hair to me.’


Immediately the hair fell down and the king’s son climbed up.

At first Rapunzel was terribly frightened when a man, such as her eyes had never yet beheld, came to her; but the king’s son began to talk to her quite like a friend, and told her that his heart had been so stirred that it had let him have no rest, and he had been forced to see her. Then Rapunzel lost her fear, and when he asked her if she would take him for her husband, and she saw that he was young and handsome, she thought: ‘He will love me more than old Dame Gothel does’; and she said yes, and laid her hand in his.

She said: ‘I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse.’

They agreed that until that time he should come to her every evening, for the old woman came by day. The enchantress remarked nothing of this, until once Rapunzel said to her:

‘Tell me, Dame Gothel, how it happens that you are so much heavier for me to draw up than the young king’s son—he is with me in a moment.’

‘Ah! you wicked child,’ cried the enchantress. ‘What do I hear you say! I thought I had separated you from all the world, and yet you have deceived me!’

In her anger she clutched Rapunzel’s beautiful tresses, wrapped them twice round her left hand, seized a pair of scissors with the right, and snip, snap, they were cut off, and the lovely braids lay on the ground. And she was so pitiless that she took poor Rapunzel into a desert where she had to live in great grief and misery.

On the same day that she cast out Rapunzel, however, the enchantress fastened the braids of hair, which she had cut off, to the hook of the window, and when the king’s son came and cried:

‘Rapunzel, Rapunzel,
Let down your hair to me.’


she let the hair down. The king’s son ascended, but instead of finding his dearest Rapunzel, he found the enchantress, who gazed at him with wicked and venomous looks.

‘Aha!’ she cried mockingly, ‘you would fetch your dearest, but the beautiful bird sits no longer singing in the nest; the cat has got it, and will scratch out your eyes as well. Rapunzel is lost to you; you will never see her again.’

The king’s son was beside himself with pain, and in his despair he leapt down from the tower. He escaped with his life, but the thorns into which he fell pierced his eyes. Then he wandered quite blind about the forest, ate nothing but roots and berries, and did naught but lament and weep over the loss of his dearest wife.

Thus he roamed about in misery for some years, and at length came to the desert where Rapunzel, with the twins to which she had given birth, a boy and a girl, lived in wretchedness. He heard a voice, and it seemed so familiar to him that he went towards it, and when he approached, Rapunzel knew him and fell on his neck and wept. Two of her tears wetted his eyes and they grew clear again, and he could see with them as before.

He led her to his kingdom where he was joyfully received, and they lived for a long time afterwards, happy and contented.


Rapunzel fairy tale meaning


The Rapunzel fairy tale is a story about a young woman who is kept locked away in a tower that is guarded by a wicked witch. The story has both a moral lesson and a warning about the dangers of disregarding parental advice, as well as a love story between the heroine, Rapunzel, and a prince.

The moral of the story is that it is important to always listen and obey one’s parents, as it will prevent dire consequences and open the door to a happy ending. The witch’s punishment for the disobedience of Rapunzel’s adoptive parents serves as a warning against ignoring parental advice.

In addition, the story of Rapunzel serves as an uplifting tale of true love prevailing over evil. True love was able to outwit the witch, bring the prince and Rapunzel together, and free Rapunzel from her tower prison. The idea of love conquering all is a recurring theme in fairy tales, and this one is no exception. 63f200b2cca6f

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The Princess and the Pea ~ Famous Fairy Tales



63f1f25c6b744#There was once a Prince who wished to marry a Princess; but then she must be a real Princess. He travelled all over the world in hopes of finding such a lady; but there was always something wrong.

Princesses he found in plenty; but whether they were real Princesses it was impossible for him to decide, for now one thing, now another, seemed to him not quite right about the ladies. At last he returned to his palace quite cast down, because he wished so much to have a real Princess for his wife.

One evening a fearful tempest arose, it thundered and lightened, and the rain poured down from the sky in torrents: besides, it was as dark as pitch. All at once there was heard a violent knocking at the door, and the old King, the Prince’s father, went out himself to open it.

It was a Princess who was standing outside the door. What with the rain and the wind, she was in a sad condition; the water trickled down from her hair, and her clothes clung to her body. She said she was a real Princess.

“Ah! we shall soon see that!” thought the old Queen-mother; however, she said not a word of what she was going to do; but went quietly into the bedroom, took all the bed-clothes off the bed, and put three little peas on the bedstead. She then laid twenty mattresses one upon another over the three peas, and put twenty feather beds over the mattresses.

Upon this bed the Princess was to pass the night.

The next morning she was asked how she had slept. “Oh, very badly indeed!” she replied. “I have scarcely closed my eyes the whole night through. I do not know what was in my bed, but I had something hard under me, and am all over black and blue. It has hurt me so much!”

Now it was plain that the lady must be a real Princess, since she had been able to feel the three little peas through the twenty mattresses and twenty feather beds. None but a real Princess could have had such a delicate sense of feeling.

The Prince accordingly made her his wife; being now convinced that he had found a real Princess. The three peas were however put into the cabinet of curiosities, where they are still to be seen, provided they are not lost.

Wasn’t this a lady of real delicacy?



The Princess and the Pea fairy tale meaning

This fairy tale was originally written by Hans Christian Andersen and it has been adapted and re-told over the years since. The story is meant to represent the importance of being aware of certain qualities in people, even when those qualities may not be apparent to the naked eye. It suggests that one should not automatically judge someone on how they look or how they present themselves, but instead look for the underlying qualities that lie beneath. 

The story focuses on a prince who is looking for a bride. He meets a princess who appears simple and unassuming on the outside, but the prince discovers that she is really a princess by placing a pea beneath her mattress. This causes her to have an uncomfortable night due to her royal sensitivity. The prince takes it as a sign that she is, in fact, a real princess, and he decides to marry her.

This story is seen as a classic example of why a person should not judge someone by face value alone, and instead, take the time to look for the underlying qualities that make them who they are. 63f1f25c6b744

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John the Rabbit and More Kids Songs & Nursery Rhymes for Babies



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John the Rabbit and More Kids Songs & Nursery Rhymes for Babies is a fun and entertaining collection of songs and rhymes for young children. These songs are perfect for parents to sing with their kids, helping them learn language and develop early literacy skills. With the help of catchy tunes, kids will enjoy singing along with these classic nursery rhymes while they learn about animals, numbers, colors and more!


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John the Rabbit and More Kids Songs & Nursery Rhymes for Babies


Kids Songs and Nursery Rhymes are an important part of a child's development. They help to develop language skills, provide comfort and create lasting memories for parents and children alike. John the Rabbit is one of the most beloved characters in kids songs, providing a fun and engaging way to learn about animals and nature. Join us as we explore the world of John the Rabbit and other Kids Songs & Nursery Rhymes for Babies that will create wonderful memories for your little ones!


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Skidamarink Nursery Rhyme and More Baby Songs | Valentine's Day



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Valentine's Day is a special day to celebrate love, and what better way to do that than with the classic children's song Skidamarink? This beloved nursery rhyme has been around for generations and is still a favorite of children today. Not only does it bring back memories of childhood, but it also teaches kids about friendship, love, and kindness. Along with Skidamarink, there are many other baby songs that are perfect for Valentine’s Day. These songs can help create a fun and memorable experience for both parents and their little ones.


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Skidamarink Nursery Rhyme and More Baby Songs | Valentine's Day


Valentine's Day is a special occasion for families to celebrate the love of their little ones. A great way to do this is with the classic kids song, Skidamarink! This beloved nursery rhyme has been around for generations and continues to be a favorite among children and parents alike. It’s a great way to get your little ones involved in the celebration of love, while teaching them important lessons about friendship and kindness. In addition to Skidamarink, there are plenty of other baby songs that can be used on Valentine's Day to make it even more special and memorable.


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One Little Finger – Part 1, Little Kittens and More Baby Songs | Nursery Rhymes



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Kids love songs and nursery rhymes! They are a great way to keep children entertained and help them learn new skills. One Little Finger – Part 1, Little Kittens and More Baby Songs is an amazing collection of kids' songs that will have your little ones singing along in no time. With catchy lyrics, fun melodies, and adorable characters, this collection of nursery rhymes is sure to be a hit with the whole family. So get ready to join in on the fun as we explore One Little Finger – Part 1, Little Kittens and More Baby Songs!


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One Little Finger – Part 1, Little Kittens and More Baby Songs | Nursery Rhymes


Singing nursery rhymes is a great way to introduce little ones to language and music. It's also a fun and interactive way for parents to bond with their children. That's why “One Little Finger” is such an important part of the nursery rhyme repertoire. This song, which teaches kids about body parts, has been around for generations and continues to be popular with kids today. In this article, we'll explore the origins of the song and look at some of the variations that have emerged over time. We'll also share some tips on how you can sing this classic nursery rhyme with your little one!


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Down in the Jungle, Old MacDonald and More Kids Songs| Nursery Rhymes



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Kids love to sing and dance along to their favorite Nursery Rhymes and Baby Songs. From the classic "Old MacDonald Had a Farm" to the more modern "Down in the Jungle", these songs have been around for generations, teaching children about animals, nature, and more. With their catchy lyrics, upbeat music, and fun visuals, kids can't help but get up and move when they hear these timeless classics. Whether you're looking for a way to keep your little ones entertained or just want to reminisce on days gone by, these nursery rhymes will bring back fond memories and create new ones.


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Down in the Jungle, Old MacDonald and More Kids Songs| Nursery Rhymes

Kids love singing along to Nursery Rhymes and Baby Songs. They are a great way to help children learn language, develop motor skills, and build an emotional connection with their parents. Whether it's the classic "Down in the Jungle" or "Old MacDonald Had a Farm", these songs have been helping kids learn for generations.


Nursery Rhymes and Baby Songs provide a fun way for children to explore language and music in an interactive setting. By singing along, kids can practice their pronunciation, rhythm, and pitch while also learning about different animals, nature scenes, and more! With so many popular kids' songs out there today, there is sure to be something that your little ones will enjoy.


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The Muffin Man, This Little Piggy and More Baby Songs | Nursery Rhymes



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Nursery Rhymes and Baby Songs have been delighting kids for centuries. From "The Muffin Man" to "This Little Piggy", these classic rhymes are an integral part of childhood. Not only do they provide children with entertainment, but they also help them develop language and literacy skills. They also provide a great way for parents to bond with their children and share in the joy of singing together. With so many benefits, it's no wonder that Nursery Rhymes and Baby Songs remain popular today!


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The Muffin Man, This Little Piggy and More Baby Songs | Nursery Rhymes


Nursery rhymes and baby songs have been an integral part of childhood for centuries. Kids love to sing and dance along to these classic songs, which often feature animals, characters, and other fun elements that make them even more enjoyable. From The Muffin Man to This Little Piggy, nursery rhymes and baby songs are a great way for kids to learn about language, rhythm, and the world around them. They also provide hours of entertainment for both parents and children alike! In this article, we'll explore some of the most popular nursery rhymes and baby songs that have stood the test of time.


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Goldilocks and The Three Bears ~ Famous Fairy Tales



63f1462c396a1#Once upon a time three bears lived in a nice little house in a great forest.

There was the Father Bear, the Mother Bear, and the Baby Bear.

They had each a bed to sleep in, a chair to sit on, and a bowl and spoon for eating milk or honey, which was their favourite food.One morning the three bears resolved on taking a walk before breakfast; but before they went out, they poured their warm milk

into their basins, that it might get cool by the time they came back.

When the milk was poured out, the three bears set out for a walk.Mr. and Mrs. Bear walked arm-in-arm, and Baby ran by their side.

“WHAT A FINE DAY IT IS!” growled Mr. Bear.

“What a fine day it is!” said Mrs. Bear.

“What a fine day!” squeaked little Bear.

And so it was.

The sun shone brightly though it was low in the sky, and its rays glittered on the fine webs on the grass. The leaves shivered in the soft breeze; the wood-pigeon cooed; the lark sang loud enough to make himself hoarse; the sparrows chirped; the bee buzzed, and a yellow butterfly perched on great Bear’s nose.

“What a squeaky noise these creatures make!” said big Bear, as he brushed off the butterfly. “What a pity it is they have not our deep voices.”

“Yes,” said Mrs. Bear; “you have a much finer voice than the lark. I should like to hear him growl as you do.”

“Oh, my dear, you are too kind; my growl is nothing to the lion’s.”

And thus conversing, the bears walked on.

Now there lived in the same forest a sweet little girl, who was called Goldilocks. She was the Woodman’s daughter, and her hair looked just like sunbeams. She knew every tree in the greenwood, and every flower in it. She loved the birds, and liked to listen to their song; and everything in the wood loved Goldilocks. The trees bent down their lower branches to touch her glittering head as she passed; the birds sang sweeter as she glided by. The lark’s song in the sky was—

“Come up, come up, Goldilocks; here is your happy home.”

“Coo, I love you; coo, I love you!” cooed the wood-pigeon, as she passed.

“Twit, twit, pretty child,” said the sparrow.

“Oh, you darling,” sang the blackbird; and Goldilocks laughed with glee, for she liked to be loved.

As to the butterflies, they flew after her, and rested on her hair, and tickled her cheeks; but she never tried to catch them.

She would not frighten or vex them for anything. She loved all the creatures, and that is why they loved her. Love makes love.

Dear little Goldilocks, she went on singing merrily through the greenwood, saying sometimes to herself—

“I wish I could sing as well as the lark!”

By-and-by Little Goldilocks reached the Bears’ house. She had never seen it before, and she wondered who lived there. A window was open, and Goldilocks peeped in.

Vintage illustration of Goldilocks peering in door keyhole for the Three Bears bedtime story
“Dear me,” thought the child, “whose house can it be! There is a table and three chairs, and three basins of hot milk, all steaming, and nobody to drink it. But I don’t see any work or books, or anything else. I think I will go in and see who lives here.”

So she tapped at the door, and cried, “Is any one at home?”

But there was no answer. Then Goldilocks stepped in very carefully, and looked about her.

She could not see any one, nor hear anybody snoring, so she walked into the Bears’ parlour.

There was a fire, which made the room cheerful, and the hot milk looked very inviting; it quite seemed to say, “Come and have some breakfast;” and the early spring air had made Goldilocks rather cold, and very hungry; so she sat down by the fire in the little Bear’s chair. It was too small for her, but she did not quite sit down at first.

In a moment she got up again, and went round the table and tasted the milk in all the bowls. Little Bear’s was the nicest, because it had sugar in it, and Goldilocks thought it was good. So she took the bowl and sat down again in Little Bear’s chair, took his spoon, and ate up all his milk.

Vintage illustration of Goldilocks looking at porridge for the Three Bears bedtime story
Now this was very wrong. A tiny bear is only a tiny bear; still, he has a right to keep his own things. But Goldilocks did not know any better. Unluckily, Baby Bear’s chair was, as we have said, too small for her; she broke the seat and fell through, basin and all.

Vintage illustration of Goldilocks breaking baby bear's chair for the Three Bears bedtime story
Then Goldilocks went upstairs, and there she saw three beds all in a row. Goldilocks lay down on Father Bear’s bed first, but that was too long for her; then she lay down on Mother Bear’s bed, and that was too wide for her; last of all she lay down on Baby Bear’s bed, and there she fell asleep, for she was tired.

Vintage illustration of Goldilocks sleeping in baby bear's bed for the Three Bears bedtime story
By-and-by the bears came home. Baby Bear saw that his chair was broken and thrown down, and he cried in a very squeaky voice

“Somebody has been here!”

And Father Bear growled

“SOMEBODY HAS BEEN HERE;”

And Mother Bear growled, more softly,

“Somebody has been here.”

Then they went to the table and looked at their breakfasts, and Father Bear growled, “WHO HAS TOUCHED MY BOWL?”

And Mother Bear growled, “Who has touched my bowl?”

And Tiny Bear squeaked, “Somebody has broken mine!”

And then Tiny Bear began to cry, for he was very fond of his own bowl and his own chair; and, besides, he was very hungry after his long walk in the forest.

It really did seem a shame. Then the three bears thought they would go over their house, to see who had been in it, and to try if they could find the thief.

They went upstairs to their bedroom, which was over their other room, and as soon as they saw the tumbled beds Father Bear growled,

“WHO HAS BEEN LYING ON MY BED?”

And Mother Bear growled

“Who has been lying on my bed?”

And Tiny Bear squeaked out,

“Oh! here is a little girl in my bed; and it must be she who has eaten my breakfast and broken my chair.”

Then Father Bear growled,

“LET US EAT HER UP;”

And Mother Bear growled, “Let us eat her up;”

And Tiny Bear squeaked,

“Let us eat her up.”

The noise they made woke Goldilocks, and you may imagine how frightened she was when she saw the three bears. She started out of bed, and jumped at once out of the window.

The bears rushed after her, and Father Bear caught her golden hair in his teeth, but she left a lock behind, and still ran on. Then the three bears all jumped out after her, but they fell one on the top of the other and rolled over and over, and while they were picking themselves up, little Goldilocks ran home, and they were not able to catch her.

But I do not think she had acted rightly (though she did not deserve to be eaten up); it was very wrong to break little Bear’s chair and eat his milk, and I think Goldilocks will have to take great care to keep out of the reach of the Three Bears.


Goldilocks and The Three Bears fairy tale meaning


The fairy tale of Goldilocks and The Three Bears is an old English story meant to teach children the importance of boundaries, respect, and responsibility. It tells the story of Goldilocks who, while wandering in the woods, comes across the house of a family of bears. Goldilocks' curiosity gets the better of her and leads her to try out each of the bears' beds, porridge, and chairs. However, she quickly discovers that some things are too cold, too hot, or just right, and that the consequences of her actions can lead to unexpected consequences. In the end, the bear family forgives Goldilocks and her lesson is learned: respect other people's property and boundaries and think before acting. 63f1462c396a1

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The Emperor’s New Clothes ~ Famous Fairy Tales



63f138e09c43b#Many, many years ago lived an emperor who thought so much of new clothes that he spent all his money in order to obtain them; his only ambition was to be always well dressed. He did not care for his soldiers, and the theatre did not amuse him; the only thing he thought anything of was to drive out and show himself in a new suit of clothes. He had a coat for every hour of the day; and as one would say of a king “He is in his cabinet,” what they meant was, “The emperor is in his dressing-room.”

The great city where he resided was very gay; every day many strangers from all parts of the globe arrived. One day two swindlers came to this city; they made people believe that they were weavers, and declared they could manufacture the finest cloth to be imagined. Their colours and patterns, they said, were not only exceptionally beautiful, but the clothes made of their material possessed the wonderful quality of being invisible to any man who was unfit for his office or unpardonably stupid.

“That must be wonderful cloth,” thought the emperor. “If I were to be dressed in a suit made of this cloth I should be able to find out which men in my empire were unfit for their places, and I could distinguish the clever from the stupid. I must have this cloth woven for me without delay.”

And he gave a large sum of money to the swindlers, in advance, that they should set to work without any loss of time. They set up two looms, and pretended to be very hard at work, but they did nothing whatever on the looms. They asked for the finest silk and the most precious gold-cloth; all they got they did away with, and worked at the empty looms till late at night.

“I should very much like to know how they are getting on with the cloth,” thought the emperor. But he felt rather uneasy when he remembered that he who was not fit for his office could not see it. Personally, he was of opinion that he had nothing to fear, yet he thought it advisable to send somebody else first to see how matters stood. Everybody in the town knew what a remarkable quality the stuff possessed, and all were anxious to see how bad or stupid their neighbours were.

“I shall send my honest old minister to the weavers,” thought the emperor. “He can judge best how the stuff looks, for he is intelligent, and nobody understands his office better than he.”

The good old minister went into the room where the swindlers sat before the empty looms. “Heaven preserve us!” he thought, and opened his eyes wide, “I cannot see anything at all,” but he did not say so. Both swindlers requested him to come near, and asked him if he did not admire the exquisite pattern and the beautiful colours, pointing to the empty looms.

The poor old minister tried his very best, but he could see nothing, for there was nothing to be seen. “Oh dear,” he thought, “can I be so stupid? I should never have thought so, and nobody must know it! Is it possible that I am not fit for my office? No, no, I cannot say that I was unable to see the cloth.”

“Now, have you got nothing to say?” said one of the swindlers, while he pretended to be busily weaving.

“Oh, it is very pretty, exceedingly beautiful,” replied the old minister looking through his glasses. “What a beautiful pattern, what brilliant colours! I shall tell the emperor that I like the cloth very much.”

“We are pleased to hear that,” said the two weavers, and described to him the colours and explained the curious pattern. The old minister listened attentively, that he might relate to the emperor what they said; and so he did.

Now the swindlers asked for more money, silk and gold-cloth, which they required for weaving. They kept everything for themselves, and not a thread came near the loom, but they continued, as hitherto, to work at the empty looms.

Soon afterwards the emperor sent another honest courtier to the weavers to see how they were getting on, and if the cloth was nearly finished. Like the old minister, he looked and looked but could see nothing, as there was nothing to be seen.

“Is it not a beautiful piece of cloth?” asked the two swindlers, showing and explaining the magnificent pattern, which, however, did not exist.

“I am not stupid,” said the man. “It is therefore my good appointment for which I am not fit. It is very strange, but I must not let any one know it;” and he praised the cloth, which he did not see, and expressed his joy at the beautiful colours and the fine pattern. “It is very excellent,” he said to the emperor.

Everybody in the whole town talked about the precious cloth. At last the emperor wished to see it himself, while it was still on the loom. With a number of courtiers, including the two who had already been there, he went to the two clever swindlers, who now worked as hard as they could, but without using any thread.

“Is it not magnificent?” said the two old statesmen who had been there before. “Your Majesty must admire the colours and the pattern.” And then they pointed to the empty looms, for they imagined the others could see the cloth.

“What is this?” thought the emperor, “I do not see anything at all. That is terrible! Am I stupid? Am I unfit to be emperor? That would indeed be the most dreadful thing that could happen to me.”

“Really,” he said, turning to the weavers, “your cloth has our most gracious approval;” and nodding contentedly he looked at the empty loom, for he did not like to say that he saw nothing. All his attendants, who were with him, looked and looked, and although they could not see anything more than the others, they said, like the emperor, “It is very beautiful.” And all advised him to wear the new magnificent clothes at a great procession which was soon to take place.

“It is magnificent, beautiful, excellent,” one heard them say; everybody seemed to be delighted, and the emperor appointed the two swindlers “Imperial Court weavers.”

The whole night previous to the day on which the procession was to take place, the swindlers pretended to work, and burned more than sixteen candles. People should see that they were busy to finish the emperor’s new suit. They pretended to take the cloth from the loom, and worked about in the air with big scissors, and sewed with needles without thread, and said at last: “The emperor’s new suit is ready now.”

The emperor and all his barons then came to the hall; the swindlers held their arms up as if they held something in their hands and said: “These are the trousers!” “This is the coat!” and “Here is the cloak!” and so on. “They are all as light as a cobweb, and one must feel as if one had nothing at all upon the body; but that is just the beauty of them.”

“Indeed!” said all the courtiers; but they could not see anything, for there was nothing to be seen.

“Does it please your Majesty now to graciously undress,” said the swindlers, “that we may assist your Majesty in putting on the new suit before the large looking-glass?”

The emperor undressed, and the swindlers pretended to put the new suit upon him, one piece after another; and the emperor looked at himself in the glass from every side.

“How well they look! How well they fit!” said all. “What a beautiful pattern! What fine colours! That is a magnificent suit of clothes!”

The master of the ceremonies announced that the bearers of the canopy, which was to be carried in the procession, were ready.

“I am ready,” said the emperor. “Does not my suit fit me marvellously?” Then he turned once more to the looking-glass, that people should think he admired his garments.

The chamberlains, who were to carry the train, stretched their hands to the ground as if they lifted up a train, and pretended to hold something in their hands; they did not like people to know that they could not see anything.

The emperor marched in the procession under the beautiful canopy, and all who saw him in the street and out of the windows exclaimed: “Indeed, the emperor’s new suit is incomparable! What a long train he has! How well it fits him!” Nobody wished to let others know he saw nothing, for then he would have been unfit for his office or too stupid. Never emperor’s clothes were more admired.

“But he has nothing on at all,” said a little child at last.

“Good heavens! listen to the voice of an innocent child,” said the father, and one whispered to the other what the child had said.

“But he has nothing on at all,” cried at last the whole people.

That made a deep impression upon the emperor, for it seemed to him that they were right; but he thought to himself, “Now I must bear up to the end.” And the chamberlains walked with still greater dignity, as if they carried the train which did not exist.


The Emperor’s New Clothes fairy tale meaning


The fairy tale of The Emperor's New Clothes is a cautionary tale about pride, vanity, and the power of peer pressure. It tells the story of an emperor who is so enamored with his own vanity that he pays an unscrupulous tailor to make him an expensive, but invisible suit of clothes that only the wise can see. Despite his court's doubts, the emperor continues to wear the suit and encourages everyone to admire its beauty or face the consequences. Until a young child in the crowd points out that the emperor isn't wearing any clothes, everyone is too afraid to speak out. The story is meant to teach people the importance of speaking up rather than going along with the crowd, and of not being so vain that you can't recognize what is false. 63f138e09c43b

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One Banana Two Bananas and More Baby Songs | Nursery Rhymes



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Kids love to sing and dance along to nursery rhymes and baby songs. They are a great way to engage children in learning and help them become familiar with language and rhythm. From "One Banana Two Bananas" to "Old MacDonald Had a Farm," these classic nursery rhymes have been entertaining kids for generations. With their catchy tunes, easy-to-remember words, and playful movements, these songs are sure to bring smiles to your little ones’ faces! So let’s all join in singing “One Banana Two Bananas” and more of our favorite nursery rhymes and baby songs!


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One Banana Two Bananas and More Baby Songs | Nursery Rhymes


Kids love to sing and dance along to Nursery Rhymes and Baby Songs. With catchy tunes like “One Banana Two Bananas”, they can learn new words and phrases while having fun. These types of songs are not only entertaining but also educational, as they help children develop their language skills. Not only this, but these songs also promote positive behavior in kids by teaching them about sharing, cooperation, and respect. So let your little ones sing along to these delightful Nursery Rhymes and Baby Songs!


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The Cow Named Lola and More Baby Songs | Kids Songs & Nursery Rhymes



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Kids love to sing and dance, and nursery rhymes and baby songs are a great way to introduce them to music. Whether you’re looking for a classic like “The Cow Named Lola” or something more modern like “Wheels on the Bus,” nursery rhymes and baby songs provide hours of entertainment for young children. Not only do they help kids learn language skills, but they can also help kids develop an appreciation for music. With so many options available, it can be difficult to find the perfect song for your little one. That’s why we have compiled a list of some of our favorite nursery rhymes and baby songs so that you can find the perfect tune for your little one!


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The Cow Named Lola and More Baby Songs | Kids Songs & Nursery Rhymes


Singing nursery rhymes and baby songs can be a great way to bond with your little one and help them learn. From the classic "The Cow Named Lola" to the more modern "The Wheels on the Bus," there are plenty of kids' songs and nursery rhymes that you can use to entertain your child. Not only do these tunes provide fun entertainment, but they also help children develop language skills and memory. So, join us as we explore some of the most popular kids' songs and nursery rhymes, like "The Cow Named Lola" and more!


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The Elves and the Shoemaker - Famous Fairy Tales



63f0f7e2eecff#There was once a shoemaker, who worked very hard and was very honest: but still he could not earn enough to live upon; and at last all he had in the world was gone, save just leather enough to make one pair of shoes.

Then he cut his leather out, all ready to make up the next day, meaning to rise early in the morning to his work. His conscience was clear and his heart light amidst all his troubles; so he went peaceably to bed, left all his cares to Heaven, and soon fell asleep. In the morning after he had said his prayers, he sat himself down to his work; when, to his great wonder, there stood the shoes all ready made, upon the table. The good man knew not what to say or think at such an odd thing happening. He looked at the workmanship; there was not one false stitch in the whole job; all was so neat and true, that it was quite a masterpiece.

The same day a customer came in, and the shoes suited him so well that he willingly paid a price higher than usual for them; and the poor shoemaker, with the money, bought leather enough to make two pairs more. In the evening he cut out the work, and went to bed early, that he might get up and begin betimes next day; but he was saved all the trouble, for when he got up in the morning the work was done ready to his hand. Soon in came buyers, who paid him handsomely for his goods, so that he bought leather enough for four pair more. He cut out the work again overnight and found it done in the morning, as before; and so it went on for some time: what was got ready in the evening was always done by daybreak, and the good man soon became thriving and well off again.

One evening, about Christmas-time, as he and his wife were sitting over the fire chatting together, he said to her, ‘I should like to sit up and watch tonight, that we may see who it is that comes and does my work for me.’ The wife liked the thought; so they left a light burning, and hid themselves in a corner of the room, behind a curtain that was hung up there, and watched what would happen.

As soon as it was midnight, there came in two little naked dwarfs; and they sat themselves upon the shoemaker’s bench, took up all the work that was cut out, and began to ply with their little fingers, stitching and rapping and tapping away at such a rate, that the shoemaker was all wonder, and could not take his eyes off them. And on they went, till the job was quite done, and the shoes stood ready for use upon the table. This was long before daybreak; and then they bustled away as quick as lightning.

The next day the wife said to the shoemaker. ‘These little wights have made us rich, and we ought to be thankful to them, and do them a good turn if we can. I am quite sorry to see them run about as they do; and indeed it is not very decent, for they have nothing upon their backs to keep off the cold. I’ll tell you what, I will make each of them a shirt, and a coat and waistcoat, and a pair of pantaloons into the bargain; and do you make each of them a little pair of shoes.’

The thought pleased the good cobbler very much; and one evening, when all the things were ready, they laid them on the table, instead of the work that they used to cut out, and then went and hid themselves, to watch what the little elves would do.

About midnight in they came, dancing and skipping, hopped round the room, and then went to sit down to their work as usual; but when they saw the clothes lying for them, they laughed and chuckled, and seemed mightily delighted.

Then they dressed themselves in the twinkling of an eye, and danced and capered and sprang about, as merry as could be; till at last they danced out at the door, and away over the green.

The good couple saw them no more; but everything went well with them from that time forward, as long as they lived.


"The Elves and the Shoemaker" fairy tale meaning


The Elves and the Shoemaker is a classic fairy tale with a moral about the power of kindness, generosity, and gratitude. The story follows a poor shoemaker who finds that elves enter his shop and help him create exquisite shoes. After realizing the elves' help, the shoemaker is grateful and shows them kindness and generosity. The moral of the story is meant to illustrate that repaying kindness and gratitude will bring you rewards in kind, and that by helping those in need, you will be rewarded in unexpected ways. 63f0f7e2eecff

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The Golden Goose ~ Famous Fairy Tales



63f0ab1043d8f#There was once a man who had three sons, the youngest of whom was called the Simpleton. He was laughed at and despised and neglected on all occasions.

Now it happened one day that the eldest son wanted to go into the forest, to hew wood, and his Mother gave him a beautiful cake and a bottle of wine to take with him, so that he might not suffer from hunger or thirst.

When he came to the wood he met a little old grey man, who, bidding him good-day, said:

“Give me a small piece of the cake in your wallet, and let me drink a mouthful of your wine; I am so hungry and thirsty.”

But the clever son answered: “If I were to give you my cake and wine, I should have none for myself, so be off with you,” and he left the little man standing there, and walked away.

Hardly had he begun to hew down a tree, when his axe slipped and cut his arm, so that he had to go home at once and have the wound bound up. This was the work of the little grey man.

Thereupon the second son went into the wood, and the Mother gave him, as she had given to the eldest, a sweet cake and a bottle of wine.

The little old man met him also, and begged for a small slice of cake and a drink of wine. But the second son spoke out quite plainly.

“What I give to you I lose myself—be off with you,” and he left the little man standing there, and walked on.

Punishment was not long in coming to him, for he had given but two strokes at a tree when he cut his leg so badly that he had to be carried home.

Then said the Simpleton: “Father, let me go into the forest and hew wood.”

But his Father answered him: “Your brothers have done themselves much harm, so as you understand nothing about wood-cutting you had better not try.”

But the Simpleton begged for so long that at last the Father said: “Well, go if you like; experience will soon make you wiser.”

To him the Mother gave a cake, but it was made with water and had been baked in the ashes, and with it she gave him a bottle of sour beer.

When he came to the wood the little grey man met him also, and greeted him, and said: “Give me a slice of your cake and a drink from your bottle; I am so hungry and thirsty.”

The Simpleton replied: “I have only a cake that has been baked in the ashes, and some sour beer, but if that will satisfy you, let us sit down and eat together.”

So they sat themselves down, and as the Simpleton held out his food it became a rich cake, and the sour beer became good wine. So they ate and drank together, and when the meal was finished, the little man said:

“As you have a good heart and give so willingly a share of your own, I will grant you good luck. Yonder stands an old tree; hew it down, and in its roots you will find something.”

Saying this the old man took his departure, and off went the Simpleton and cut down the tree. When it fell, there among its roots sat a goose, with feathers of pure gold. He lifted her out, and carried her with him to an inn where he intended to stay the night.

Now the innkeeper had three daughters, who on seeing the goose were curious to know what wonderful kind of a bird it could be, and longed to have one of its golden feathers.

The eldest daughter thought to herself, “Surely a chance will come for me to pull out one of those feathers”; and so when the Simpleton had gone out, she caught the goose by the wing. But there her hand stuck fast!

Shortly afterwards the second daughter came, as she too was longing for a golden feather. She had hardly touched her sister, however, when she also stuck fast.

And lastly came the third daughter with the same object. At this the others cried out, “Keep off, for goodness’ sake, keep off!” But she, not understanding why they told her to keep away, thought to herself, “If they go to the goose, why should not I?” She sprang forward, but as she touched her sister she too stuck fast, and pull as she might she could not get away; and thus they had all to pass the night beside the goose.

The next morning the Simpleton took the goose under his arm and went on his way, without troubling himself at all about the three girls who were hanging to the bird. There they went, always running behind him, now to the right, now to the left, whichever way he chose to go.

In the middle of the fields they met the parson, and when he saw the procession he called out, “Shame on you, you naughty girls, why do you run after a young fellow in this way? Come, leave go!” With this he caught the youngest by the hand, and tried to pull her back, but when he touched her he found he could not get away, and he too must needs run behind.

Then the sexton came along, and saw the parson following on the heels of the three girls. This so astonished him that he called out, “Hi! Sir Parson, whither away so fast? Do you forget that today we have a christening?” and ran after him, and caught him by the coat, but he too remained sticking fast.

As the five now ran on, one behind the other, two labourers who were returning from the field with their tools, came along. The parson called out to them and begged that they would set him and the sexton free. No sooner had they touched the sexton, than they too had to hang on, and now there were seven running after the Simpleton and the goose.

In this way they came to a city where a King reigned who had an only daughter, who was so serious that no one could make her laugh. Therefore he had announced that whoever should make her laugh should have her for his wife.

When the Simpleton heard this he went with his goose and his train before the Princess, and when she saw the seven people all running behind each other, she began to laugh, and she laughed and laughed till it seemed as though she could never stop.

Thereupon the Simpleton demanded her for his wife, but the King was not pleased at the thought of such a son-in-law, and he made all kinds of objections. He told the Simpleton that he must first bring him a man who could drink off a whole cellarful of wine.

At once the Simpleton thought of the little grey man, who would be sure to help him, so off he went into the wood, and in the place where he had cut down the tree he saw a man sitting who looked most miserable. The Simpleton asked him what was the cause of his trouble.

“I have such a thirst,” the man answered, “and I cannot quench it. I cannot bear cold water. I have indeed emptied a cask of wine, but what is a drop like that to a thirsty man?”

“In that case I can help you,” said the Simpleton. “Just come with me and you shall be satisfied.”

He led him to the King’s cellar, and the man at once sat down in front of the great cask, and drank and drank till before a day was over he had drunk the whole cellarful of wine.

Then the Simpleton demanded his bride again, but the King was angry that a mean fellow everyone called a Simpleton should win his daughter, and he made new conditions. Before giving him his daughter to wife he said that the Simpleton must find a man who would eat a whole mountain of bread.

The Simpleton did not stop long to consider, but went off straight to the wood. There in the same place as before sat a man who was buckling a strap tightly around him, and looking very depressed. He said:

“I have eaten a whole ovenful of loaves, but what help is that when a man is as hungry as I am? I feel quite empty, and I must strap myself together if I am not to die of hunger.”

The Simpleton was delighted on hearing this, and said: “Get up at once and come with me. I will give you enough to eat to satisfy your hunger.”

He led him to the King, who meanwhile had ordered all the meal in the Kingdom to be brought together, and an immense mountain of bread baked from it. The man from the wood set to work on it, and in one day the whole mountain had disappeared.

For the third time the Simpleton demanded his bride, but yet again the King tried to put him off, and said that he must bring him a ship that would go both on land and water.

“If you are really able to sail such a ship,” said he, “you shall at once have my daughter for your wife.”

The Simpleton went into the wood, and there sat the little old grey man to whom he had given his cake.

“I have drunk for you, and I have eaten for you,” said the little man, “and I will also give you the ship; all this I do for you because you were kind to me.”

Then he gave the Simpleton a ship that went both on land and water, and when the King saw it he knew he could no longer keep back his daughter. The wedding was celebrated, and after the King’s death, the Simpleton inherited the Kingdom, and lived very happily ever after with his wife.


The Golden Goose fairy tale meaning


The Golden Goose fairy tale is an old European fairy tale about a magical goose that lays golden eggs. The goose is described as being so magical that it is capable of producing an endless supply of golden eggs. The golden eggs are highly coveted and desired by a poor miller, his wife, and their children.

 

At first, the miller and his family are not sure what to do with the magical golden eggs, but once they figure out how to turn the golden eggs into money, they are able to end their poverty. The moral of the story is that even small amounts of luck can bring great wealth, if used wisely. It also serves as a reminder that too much greed can lead to disaster. In the end, the miller’s son is able to help the family retain their newfound wealth by not succumbing to greed, and helping to defend the goose from those who wish to kill it for its golden eggs. 63f0ab1043d8f

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The Pied Piper of Hamelin ~ Famous Fairy Tales



63f09c56bc9ef#Hamelin is a sleepy little town upon the Solent shore. Sleepy as it is now, it was once noisy enough, and what made the noise was—rats. The place was so infested with them as to be scarce worth living in. There wasn’t a barn or a corn-rick, a store-room or a cupboard, but they ate their way into it. Not a cheese but they gnawed it hollow, not a sugar puncheon but they cleared out. Why the very mead and beer in the barrels was not safe from them. They’d gnaw a hole in the top of a wine cask, and down would go one master rat’s tail, and when he brought it up round would crowd all the friends and cousins, and each would have a suck at the tail.

Had they stopped here it might have been bearable. But the squeaking and shrieking, the hurrying and scurrying, so that you could neither hear yourself speak nor get a wink of good honest sleep the live-long night! Not to mention that, Mamma must needs sit up, and keep watch and ward over baby’s cradle, or there’d have been a big ugly rat running across the poor little fellow’s face, and doing who knows what mischief.

Why didn’t the good people of the town have cats? Well they did, and there was a fair stand-up fight, but in the end the rats were too many, and the pussies were regularly driven from the field. Poison, I hear you say? Why, they poisoned so many that it fairly bred a plague. Ratcatchers! Why there wasn’t a ratcatcher from John o’ Groat’s house to the Land’s End that hadn’t tried his luck. But do what they might, cats or poison, terrier or traps, there seemed to be more rats than ever, and every day a fresh rat was cocking his tail or pricking his whiskers.

The Mayor and the town council were at their wits’ end. As they were sitting one day in the town hall racking their poor brains, and bewailing their hard fate, who should run in but the town beadle.

“Please your Honour,” says he, “here is a very queer fellow come to town. I don’t rightly know what to make of him.”

“Show him in,” said the Mayor, and in he stepped.

A queer fellow, truly. For there wasn’t a colour of the rainbow but you might find it in some corner of his dress, and he was tall and thin, and had keen piercing eyes.

“I’m called the Pied Piper,” he began. “And pray what might you be willing to pay me, if I rid you of every single rat in Hamelin?”

Well, much as they feared the rats, they feared parting with their money more, and they would have higgled and haggled. But the Piper was not a man to stand nonsense, and the upshot was that fifty pounds were promised him (and it meant a lot of money in those old days) as soon as not a rat was left to squeak or scurry in Hamelin.

Out of the hall stepped the Piper, and as he stepped he laid his pipe to his lips and a shrill keen tune sounded through street and house. And as each note pierced the air you might have seen a strange sight. For out of every hole the rats came tumbling. There were none too old and none too young, none too big and none too little to crowd at the Piper’s heels and with eager feet and upturned noses to patter after him as he paced the streets. Nor was the Piper unmindful of the little toddling ones, for every fifty yards he’d stop and give an extra flourish on his pipe just to give them time to keep up with the older and stronger of the band.

Up Silver Street he went, and down Gold Street, and at the end of Gold Street is the harbour and the broad Solent River beyond. And as he paced along, slowly and gravely, the townsfolk flocked to door and window, and many a blessing they called down upon his head.

As for getting near him, there were too many rats. And now that he was at the water’s edge he stepped into a boat, and not a rat, as he shoved off into deep water, piping shrilly all the while, but followed him, plashing, paddling, and wagging their tails with delight. On and on he played and played until the tide went down, and each master rat sank deeper and deeper in the slimy ooze of the harbour, until every mother’s son of them was dead and smothered.

The tide rose again, and the Piper stepped on shore, but never a rat followed. You may fancy the townsfolk had been throwing up their caps and hurrahing and stopping up rat holes and setting the church bells a-ringing. But when the Piper stepped ashore and not so much as a single squeak was to be heard, the Mayor and the Council, and the townsfolk generally, began to hum and to ha and to shake their heads.

For the town money chest had been sadly emptied of late, and where was the fifty pounds to come from? Such an easy job, too! Just getting into a boat and playing a pipe! Why the Mayor himself could have done that if only he had thought of it.

So he hummed and ha’ad and at last,

“Come, my good man,” said the Mayor, “you see what poor folk we are; how can we manage to pay you fifty pounds? Will you not take twenty? When all is said and done, it will be good pay for the trouble you’ve taken.”

“Fifty pounds was what I bargained for,” said the piper shortly; “and if I were you I’d pay it quickly. For I can pipe many kinds of tunes, as folk sometimes find to their cost.”

“Would you threaten us, you strolling vagabond?” shrieked the Mayor, and at the same time he winked to the Council; “the rats are all dead and drowned,” muttered he; and so “You may do your worst, my good man,” and with that he turned short upon his heel.

“Very well,” said the Piper, and he smiled a quiet smile. With that he laid his pipe to his lips afresh, but now there came forth no shrill notes, as it were, of scraping and gnawing, and squeaking and scurrying, but the tune was joyous and resonant, full of happy laughter and merry play. And as he paced down the streets the elders mocked, but from school-room and play-room, from nursery and workshop, not a child but ran out with eager glee and shout following gaily at the Piper’s call. Dancing, laughing, joining hands and tripping feet, the bright throng moved along up Gold Street and down Silver Street, and beyond Silver Street lay the cool green forest full of old oaks and wide-spreading beeches. In and out among the oak-trees you might catch glimpses of the Piper’s many-coloured coat. You might hear the laughter of the children break and fade and die away as deeper and deeper into the lone green wood the stranger went and the children followed.

All the while, the elders watched and waited. They mocked no longer now. And watch and wait as they might, never did they set their eyes again upon the Piper in his parti-coloured coat. Never were their hearts gladdened by the song and dance of the children issuing forth from amongst the ancient oaks of the forest.


The Pied Piper of Hamelin fairy tale meaning


The Pied Piper of Hamelin is a story that is meant to serve as a warning to children. The story tells of a piper who is hired to rid a town of its rats. When the task is accomplished and the town refuses to pay the piper, he takes revenge by leading the town children away, never to be seen again. This story is meant to serve as a warning to children not to stay in places where they are not welcome and not to fall short in their promised deeds. 63f09c56bc9ef

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Aladdin and the Magic Lamp ~ Famous Fairy Tales



63f08d8a1523c#There once lived a poor tailor who had a son called Aladdin; a careless, idle boy who would do nothing but play all day long in the streets with little idle boys like himself. This so grieved the father that he died; yet, in spite of his mother’s tears and prayers, Aladdin did not mend his ways.

One day, when he was playing in the streets as usual, a stranger asked him his age, and if he was not the son of Mustapha the tailor.

“I am, sir,” replied Aladdin; “but he died a long while ago.”

On this the stranger, who was a famous African magician, fell on his neck and kissed him saying: “I am your uncle, and knew you from your likeness to my brother. Go to your mother and tell her I am coming.”

Aladdin ran home and told his mother of his newly found uncle.

“Indeed, child,” she said, “your father had a brother, but I always thought he was dead.”

However, she prepared supper, and bade Aladdin seek his uncle, who came laden with wine and fruit. He fell down and kissed the place where Mustapha used to sit, bidding Aladdin’s mother not to be surprised at not having seen him before, as he had been forty years out of the country. He then turned to Aladdin, and asked him his trade, at which the boy hung his head, while his mother burst into tears. On learning that Aladdin was idle and would learn no trade, he offered to take a shop for him and stock it with merchandise. Next day he bought Aladdin a fine suit of clothes and took him all over the city, showing him the sights, and brought him home at nightfall to his mother, who was overjoyed to see her son so fine.

Next day the magician led Aladdin into some beautiful gardens a long way outside the city gates. They sat down by a fountain and the magician pulled a cake from his girdle, which he divided between them. Then they journeyed onwards till they almost reached the mountains. Aladdin was so tired that he begged to go back, but the magician beguiled him with pleasant stories and lead him on in spite of himself.

At last they came to two mountains divided by a narrow valley.

“We will go no farther,” said his uncle. “I will show you something wonderful; only do you gather up sticks while I kindle a fire.”

When it was lit the magician threw on it a powder he had about him, at the same time saying some magical words. The earth trembled a little in front of them, disclosing a square flat stone with a brass ring in the middle to raise it by.

Aladdin tried to run away, but the magician caught him and gave him a blow that knocked him down.

“What have I done, uncle?” he said piteously; whereupon the magician said more kindly: “Fear nothing, but obey me. Beneath this stone lies a treasure which is to be yours, and no one else may touch it, so you must do exactly as I tell you.”

At the word treasure Aladdin forgot his fears, and grasped the ring as he was told, saying the names of his father and grandfather. The stone came up quite easily, and some steps appeared.

“Go down,” said the magician; “at the foot of those steps you will find an open door leading into three large halls. Tuck up your gown and go through them without touching anything, or you will die instantly. These halls lead into a garden of fine fruit trees. Walk on till you come to niche in a terrace where stands a lighted lamp. Pour out the oil it contains, and bring it me.” He drew a ring from his finger and gave it to Aladdin, bidding him prosper.

Aladdin found everything as the magician had said, gathered some fruit off the trees, and, having got the lamp, arrived at the mouth of the cave.

The magician cried out in a great hurry: “Make haste and give me the lamp.”

This Aladdin refused to do until he was out of the cave. The magician flew into a terrible passion, and throwing some more powder on to the fire, he said something, and the stone rolled back into its place.

The man left the country, which plainly showed that he was no uncle of Aladdin’s but a cunning magician, who had read in his magic books of a wonderful lamp, which would make him the most powerful man in the world. Though he alone knew where to find it, he could only receive it from the hand of another. He had picked out the foolish Aladdin for this purpose, intending to get the lamp and kill him afterwards.

For two days Aladdin remained in the dark, crying and lamenting. At last he clasped his hands in prayer, and in so doing rubbed the ring, which the magician had forgotten to take from him.

Immediately an enormous and frightful genie rose out of the earth, saying: “What would you like me to do for you? I am the Slave of the Ring, and will obey you in all things.”

Aladdin fearlessly replied, “Deliver me from this place!” whereupon the earth opened, and he found himself outside.

As soon as his eyes could bear the light he went home, but fainted on the threshold. When he came to himself he told his mother what had passed, and showed her the lamp and the fruits he had gathered in the garden, which were in reality precious stones. He then asked for some food.

“Alas! child,” she said, “I have nothing in the house, but I have spun a little cotton and will go sell it.”

Aladdin bade her keep her cotton, for he would sell the lamp instead. As it was very dirty, she began to rub it, that it might fetch a higher price. Instantly a hideous genie appeared, and asked what she would have. She fainted away, but Aladdin, snatching the lamp, said boldly: “Fetch me something to eat!”

The genie returned with a silver bowl, twelve silver plates containing rich meats, two silver cups, and two bottles of wine. Aladdin’s mother, when she came to herself, said:

“From where did this splendid feast come?”

“Ask not, but eat,” replied Aladdin.

So they sat at breakfast till it was dinner-time, and Aladdin told his mother about the lamp. She begged him to sell it, and have nothing to do with devils.

“No,” said Aladdin, “since chance has made us aware of its virtues, we will use it, and the ring likewise, which I shall always wear on my finger.”

When they had eaten all the genie had brought, Aladdin sold one of the silver plates, and so on until none were left. He then had recourse to the genie, who gave him another set of plates, and thus they lived many years.

One day Aladdin heard an order from the Sultan proclaimed that everyone was to stay at home and close his shutters while the Princess his daughter went to and from the bath. Aladdin was seized by a desire to see her face, which was very difficult, as she always went veiled. He hid himself behind the door of the bath, and peeped through a chink. The Princess lifted her veil as she went in, and looked so beautiful that Aladdin fell in love with her at first sight.

He went home so changed that his mother was frightened. He told her he loved the Princess so deeply he could not live without her, and meant to ask her in marriage of her father. His mother, on hearing this, burst out laughing, but Aladdin at last prevailed upon her to go before the Sultan and carry his request. She fetched a napkin and laid in it the magic fruits from the enchanted garden, which sparkled and shone like the most beautiful jewels. She took these with her to please the Sultan, and set out, trusting in the lamp.

The Grand Vizier and the lords of council had just gone in as she entered the hall and placed herself in front of the Sultan. He, however, took no notice of her. She went every day for a week, and stood in the same place. When the council broke up on the sixth day the Sultan said to his Vizier: “I see a certain woman in the audience-chamber every day carrying something in a napkin. Call her next time, that I may find out what she wants.”

Next day, at a sign from the vizier, she went up to the foot of the throne and remained kneeling until the Sultan said to her: “Rise, good woman, and tell me what you want.”

She hesitated, so the Sultan sent away all but the Vizier, and bade her speak freely, promising to forgive her beforehand for anything she might say. She then told him of her son’s violent love for the Princess.

“I prayed him to forget her,” she said, “but in vain; he threatened to do some desperate deed if I refused to go and ask your Majesty for the hand of the Princess. Now I pray you to forgive not me alone, but my son Aladdin.”

The Sultan asked her kindly what she had in the napkin, whereupon she unfolded the jewels and presented them. He was thunderstruck, and turning to the vizier, said: “What do you say? Ought I not to bestow the Princess on one who values her at such a price?”

The Vizier, who wanted her for his own son, begged the Sultan to withhold her for three months, in the course of which he hoped his son could contrive to make him a richer present. The Sultan granted this, and told Aladdin’s mother that, though he consented to the marriage, she must not appear before him again for three months.

Aladdin waited patiently for nearly three months, but after two had elapsed, his mother, going into the city to buy oil, found everyone rejoicing, and asked what was going on.

“Do you not know,” was the answer, “that the son of the Grand Vizier is to marry the Sultan’s daughter tonight?”

Breathless she ran and told Aladdin, who was overwhelmed at first, but presently bethought him of the lamp. He rubbed it and the genie appeared, saying: “What is your will?”

Aladdin replied: “The Sultan, as you know, has broken his promise to me, and the vizier’s son is to have the Princess. My command is that to-night you bring hither the bride and bridegroom.”

“Master, I obey,” said the genie.

Aladdin then went to his chamber, where, sure enough, at midnight the genie transported the bed containing the vizier’s son and the Princess.

“Take this new-married man,” he said, “and put him outside in the cold, and return at daybreak.”

Whereupon the genie took the vizier’s son out of bed, leaving Aladdin with the Princess.

“Fear nothing,” Aladdin said to her; “you are my wife, promised to me by your unjust father, and no harm will come to you.”

The Princess was too frightened to speak, and passed the most miserable night of her life, while Aladdin lay down beside her and slept soundly. At the appointed hour the genie fetched in the shivering bridegroom, laid him in his place, and transported the bed back to the palace.

Presently the Sultan came to wish his daughter good-morning. The unhappy Vizier’s son jumped up and hid himself, while the Princess would not say a word and was very sorrowful. The Sultan sent her mother to her, who said: “How comes it, child, that you will not speak to your father? What has happened?”

The Princess sighed deeply, and at last told her mother how, during the night, the bed had been carried into some strange house, and what had passed there. Her mother did not believe her in the least, but bade her rise and consider it an idle dream.

The following night exactly the same thing happened, and next morning, on the Princess’s refusing to speak, the Sultan threatened to cut off her head. She then confessed all, bidding him ask the Vizier’s son if it were not so.

The Sultan told the Vizier to ask his son, who owned the truth, adding that, dearly as he loved the Princess, he had rather die than go through another such fearful night, and wished to be separated from her. His wish was granted, and there was an end of feasting and rejoicing.

When the three months were over, Aladdin sent his mother to remind the Sultan of his promise. She stood in the same place as before, and the Sultan, who had forgotten Aladdin, at once remembered him, and sent for her.

On seeing her poverty the Sultan felt less inclined than ever to keep his word, and asked his Vizier’s advice, who counselled him to set so high a value on the Princess that no man living would come up to it. The Sultan than turned to Aladdin’s mother, saying:

“Good woman, a sultan must remember his promises, and I will remember mine, but your son must first send me forty basins of gold brimful of jewels, carried by forty men, splendidly dressed. Tell him that I await his answer.”

The mother of Aladdin bowed low and went home, thinking all was lost. She gave Aladdin the message adding, “He may wait long enough for your answer!”

“Not so long, mother, as you think,” her son replied. “I would do a great deal more than that for the Princess.”

He summoned the genie, and in a few moments the forty men arrived, and filled up the small house and garden. Aladdin made them to set out to the palace, two by two, followed by his mother. They were so richly dressed, with such splendid jewels, that everyone crowded to see them and the basins of gold they carried on their heads. They entered the palace, and, after kneeling before the Sultan, stood in a half-circle round the throne with their arms crossed, while Aladdin’s mother presented them to the Sultan.

He hesitated no longer, but said: “Good woman, return and tell your son that I wait for him with open arms.”

She lost no time in telling Aladdin, bidding him make haste. But Aladdin first called the genie.

“I want a scented bath,” he said, “a richly embroidered habit, a horse surpassing the Sultan’s, and twenty men to attend me. Besides this, six women, beautifully dressed, to wait on my mother; and lastly, ten thousand pieces of gold in ten purses.”

No sooner said then done. Aladdin mounted his horse and passed through the streets, the attendants strewing gold as they went. Those who had played with him in his childhood knew him not, he had grown so handsome. When the sultan saw him he came down from his throne, embraced him, and led him into a hall where a feast was spread, intending to marry him to the Princess that very day. But Aladdin refused, saying, “I must build a palace fit for her,” and took his leave.

Once home, he said to the genie: “Build me a palace of the finest marble, set with jasper, agate, and other precious stones. In the middle you shall build me a large hall with a dome, its four walls of massy gold and silver, each side having six windows, whose lattices, all except one which is to be left unfinished, must be set with diamonds and rubies. There must be stables and horses and grooms; go and see about it!”

The palace was finished the next day, and the genie carried him there and showed him all his orders faithfully carried out, even to the laying of a velvet carpet from Aladdin’s palace to the Sultan’s. Aladdin’s mother then dressed herself carefully, and walked to the palace with her attendants, while he followed her on horseback.

The Sultan sent musicians with trumpets and cymbals to meet them, so that the air resounded with music and cheers. She was taken to the Princess, who saluted her and treated her with great honour.

At night the princess said good-bye to her father, and set out on the carpet for Aladdin’s palace, with his mother at her side. She was charmed at the sight of Aladdin, who ran to receive her.

“Princess,” he said, “blame your beauty for my boldness if I have displeased you.” She told him that, having seen him, she willingly obeyed her father in this matter.

After the wedding had taken place, Aladdin led her into the hall, where a feast was spread, and she supped with him, after which they danced till midnight.

Next day Aladdin invited the Sultan to see the palace. On entering the hall with the four-and-twenty windows with their rubies, diamonds and emeralds, he cried, “It is a world’s wonder! There is only one thing that surprises me. Was it by accident that one window was left unfinished?”

“No, sir, by design,” returned Aladdin. “I wished your Majesty to have the glory of finishing this palace.”

The Sultan was pleased, and sent for the best jewelers in the city. He showed them the unfinished window, and bade them fit it up like the others.

“Sir,” replied their spokesman, “we cannot find jewels enough.”

The Sultan had his own fetched, which they soon used, but to no purpose, for in a month’s time the work was not half done. Aladdin knowing that their task was vain, bade them undo their work and carry the jewels back, and the genie finished the window at his command.

The Sultan was surprised to receive his jewels again, and visited Aladdin, who showed him the window finished. The Sultan embraced him, the envious vizier meanwhile hinting that it was the work of enchantment.

Aladdin had won the hearts of the people by his gentle bearing. He was made captain of the Sultan’s armies, and won several battles for him, but remained as courteous as before, and lived thus in peace and content for several years.

But far away in Africa the magician remembered Aladdin, and by his magic arts discovered that Aladdin, instead of perishing miserably in the cave, had escaped, and had married a princess, with whom he was living in great honour and wealth. He knew that the poor tailor’s son could only have accomplished this by means of the lamp, and travelled night and day till he reached the capital, bent on Aladdin’s ruin. As he passed through the town he heard people talking everywhere about a marvelous palace.

“Forgive my ignorance,” he asked, “what is the palace you speak of?”

“Have you not heard of Prince Aladdin’s palace,” was the reply, “the greatest wonder in the world? I will direct you if you have a mind to see it.”

The magician thanked him who spoke, and having seen the palace knew that it had been raised by the Genie of the Lamp, and became half mad with rage. He determined to get hold of the lamp, and again plunge Aladdin into the deepest poverty.

Unluckily, Aladdin had gone a-hunting for eight days, which gave the magician plenty of time. He bought a dozen lamps, put them into a basket, and went to the palace, crying: “New lamps for old!” followed by a jeering crowd.

The Princess, sitting in the hall of four-and-twenty windows, sent an attendant to find out what the noise was about, who came back laughing, so that the Princess scolded her.

“Madam,” replied the slave, “who can help laughing to see an old fool offering to exchange fine new lamps for old ones?”

Another woman, hearing this, said, “There is an old one on the cornice there which he can have.”

Now this was the magic lamp, which Aladdin had left there, as he could not take it out hunting with him. The Princess, not knowing its value, laughingly bade the slave take it and make the exchange. She went and said to the magician: “Give me a new lamp for this.”

He snatched it and bade the slave take her choice, amid the jeers of the crowd. Little he cared, but left off crying his lamps, and went out of the city gates to a lonely place, where he remained till nightfall, when he pulled out the lamp and rubbed it. The genie appeared, and at the magician’s command carried him, together with the palace and the Princess in it, to a lonely place in Africa.

Next morning the Sultan looked out of the window towards Aladdin’s palace and rubbed his eyes, for it was gone. He sent for the Vizier and asked what had become of the palace. The Vizier looked out too, and was lost in astonishment. He again put it down to enchantment, and this time the Sultan believed him, and sent thirty men on horseback to fetch Aladdin back in chains. They met him riding home, bound him, and forced him to go with them on foot. The people, however, who loved him, followed, armed, to see that he came to no harm.

He was carried before the Sultan, who ordered the executioner to cut off his head. The executioner made Aladdin kneel down, bandaged his eyes, and raised his scimitar to strike. At that instant the Vizier, who saw that the crowd had forced their way into the courtyard and were scaling the walls to rescue Aladdin, called to the executioner to stay his hand. The people, indeed, looked so threatening that the Sultan gave way and ordered Aladdin to be unbound, and pardoned him in the sight of the crowd.

Aladdin now begged to know what he had done.

“False wretch!” said the Sultan, “come hither,” and showed him from the window the place where his palace had stood. Aladdin was so amazed he could not say a word.

“Where is your palace and my daughter?” demanded the Sultan. “For the first I am not so deeply concerned, but my daughter I must have, and you must find her or lose your head.”

Aladdin begged for forty days in which to find her, promising if he failed to return to suffer death at the Sultan’s pleasure. His prayer was granted, and he went forth sadly from the Sultan’s presence.

For three days he wandered about like a madman, asking everyone what had become of his palace, but they only laughed and pitied him. He came to the banks of a river, and knelt down to say his prayers before throwing himself in. In doing so he rubbed the ring he still wore. The genie he had seen in the cave appeared, and asked his will.

“Save my life, genie,” said Aladdin, “and bring my palace back.”

“That is not in my power,” said the genie; “I am only the Slave of the Ring; you must ask him of the lamp.”

“Even so,” said Aladdin, “but you can take me to the palace, and set me down under my dear wife’s window.”

He at once found himself in Africa, under the window of the Princess, and fell asleep out of sheer weariness.

He was awakened by the singing of the birds, and his heart was lighter. He saw plainly that all his misfortunes were owning to the loss of the lamp, and vainly wondered who had robbed him of it.

That morning the Princess rose earlier than she had done since she had been carried into Africa by the magician, whose company she was forced to endure once a day. She, however, treated him so harshly that he dared not live there altogether.

As she was dressing, one of her women looked out and saw Aladdin. The Princess ran and opened the window, and at the noise she made, Aladdin looked up. She called to him to come to her, and great was the joy of these lovers at seeing each other again.

After he had kissed her Aladdin said: “I beg of you, Princess, in God’s name, before we speak of anything else, for your own sake and mine, tell me what has become of an old lamp I left on the cornice in the hall of four-and-twenty windows when I went a-hunting.”

“Alas,” she said, “I am the innocent cause of our sorrows,” and told him of the exchange of the lamp.

“Now I know,” cried Aladdin, “that we have to thank the African magician for this! Where is the lamp?”

“He carries it about with him,” said the Princess. “I know, for he pulled it out of his breast to show me. He wishes me to break my faith with you and marry him, saying that you were beheaded by my father’s command. He is forever speaking ill of you, but I only reply by my tears. If I persist, I doubt not but he will use violence.”

Aladdin comforted her, and left her for a while. He changed clothes with the first person he met in the town, and having bought a certain powder returned to the Princess, who let him in by a little side door.

“Put on your most beautiful dress,” he said to her, “and receive the magician with smiles, leading him to believe that you have forgotten me. Invite him to sup with you, and say you wish to taste the wine of his country. He will go for some, and while he is gone I will tell you what to do.”

She listened carefully to Aladdin and when he left her, arrayed herself gaily. She put on a girdle and head-dress of diamonds and seeing in a glass that she was more beautiful than ever, received the magician, saying, to his great amazement:

“I have made up my mind that Aladdin is dead, and that all my tears will not bring him back to me, so I am resolved to mourn no more, and have therefore invited you to sup with me; but I am tired of the wines from my home, and would fain taste those of Africa.”

The magician flew to his cellar, and the Princess put the powder Aladdin had given her in her cup.

When he returned she asked him to drink her health in the wine of Africa, handing him her cup in exchange for his, as a sign she was reconciled to him. Before drinking the magician made her a speech in praise of her beauty, but the Princess cut him short, saying: “Let us drink first, and you shall say what you will afterwards.”

She set her cup to her lips and kept it there, while the magician drained his to the dregs and fell back lifeless. The Princess then opened the door to Aladdin, and flung her arms around his neck; but Aladdin went to the dead magician, took the lamp out of his vest, and bade the genie carry the palace and all in it back to where it came from. This was done, and the Princess in her chamber felt only two little shocks, and little thought she was home again.

The Sultan, who was sitting in his closet, mourning for his lost daughter, happened to look up, and rubbed his eyes, for there stood the palace as before! He hastened thither, and Aladdin received him in the hall of the four-and-twenty windows, with the Princess at his side. Aladdin told him what had happened, and showed him the dead body of the magician, that he might believe. A ten days’ feast was proclaimed, and it seemed as if Aladdin might now live the rest of his life in peace; but it was not meant to be.

The African magician had a younger brother, who was, if possible, more wicked and more cunning than himself. He travelled to Aladdin’s castle to avenge his brother’s death, and went to visit a pious woman called Fatima, thinking she might be of use to him. He entered her cell and clapped a dagger to her breast, telling her to rise and do his bidding on pain of death. He changed clothes with her, coloured his face like hers, put on her veil, and locked her up, that she might tell no tales. Then he went towards the palace of Aladdin, and all the people, thinking he was the holy woman, gathered round him, kissing his hands and begging his blessing.

When he got to the palace there was such a noise going on round him that the Princess bade her attendant look out the window and ask what was the matter. The attendant said it was the holy woman, curing people by her touch of their ailments, whereupon the Princess, who had long desired to see Fatima, sent for her.

On coming to the Princess the magician offered up a prayer for her health and prosperity. When he had done the Princess made him sit by her, and begged him to stay with her always.

The false Fatima, who wished for nothing better, consented, but kept his veil down for fear of discovery. The princess showed him the hall, and asked him what he thought of it.

“It is truly beautiful,” said the false Fatima. “In my mind it wants but one thing.”

“And what is that?” said the Princess.

“If only a roc’s egg,” replied he, “were hung up from the middle of this dome, it would be the wonder of the world.”

After this the Princess could think of nothing but the roc’s egg, and when Aladdin returned from hunting he found her in a very ill humour. He begged to know what was amiss, and she told him that all her pleasure in the hall was spoilt for want of a roc’s egg hanging from the dome.

“If that is all,” replied Aladdin, “you shall soon be happy.”

He left her and rubbed the lamp, and when the genie appeared commanded him to bring a roc’s egg. The genie gave such a loud and terrible shriek that the hall shook.

“Wretch!” he cried, “is it not enough that I have done everything for you, but you must command me to bring my master and hang him up in the midst of this dome? You and your wife and your palace deserve to be burnt to ashes, but that this request does not come from you, but from the brother of the African magician, whom you destroyed. He is now in your palace disguised as the holy woman, whom he murdered. He it was who put that wish into your wife’s head. Take care of yourself, for he means to kill you.” So saying, the genie disappeared.

Aladdin went back to the Princess, saying his head ached, and requesting that the holy Fatima should be fetched to lay her hands on it. But when the magician came near, Aladdin, seizing his dagger, pierced him to the heart.

“What have you done?” cried the Princess. “You have killed the holy woman!”

“Not so,” replied Aladdin, “but a wicked magician,” and told her of how she had been deceived.

After this Aladdin and his wife lived in peace. He succeeded the Sultan when he died, and reigned for many years, leaving behind him a long line of kings.


Aladdin and the Magic Lamp fairy tale meaning


The classic fairy tale of Aladdin and the Magic Lamp has a timeless moral: be careful what you wish for. The story follows Aladdin, a young man who comes across a magical lamp that has the power to grant wishes when rubbed. In his excitement he makes several hasty and irresponsible wishes, not thinking too much about the consequences. Each time his wishes come true, but in a way that isn’t necessarily ideal or even beneficial. In the end, Aladdin learns an important lesson about being wise and thoughtful before making decisions, and this moral is applicable to everyone. Wishes cannot become reality unless we use our discretion and choose wisely, even when it comes to seemingly simple things. 63f08d8a1523c

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